Casino Ludovisi Roma Orari

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The Casino di Villa Boncompagni Ludovisi (also known as the Villa Aurora or the Casino dell'Aurora) is a villa in Porta Pinciana, Rome, Italy. Measuring 2.200 square meters, it is all that remains of a country retreat, best known as Villa Ludovisi, established in the 16th century by Cardinal Francesco Maria Del Monte. The Cardinal was a diplomat, intellectual, art connoisseur, collector, and protector and patron of such very different figures as Galileo and Caravaggio. The Casino is often referred to as the Villa Aurora, after the important fresco by Guercino, located in the Villa's main reception room, depicting the goddess Aurora. One of the smaller rooms of the casino boasts the only painting ever executed by Caravaggio on a ceiling, Jupiter, Neptune and Pluto, which reflects, in symbolic imagery derived from Classical mythology, another of the cardinal's interests, alchemy.

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  • Casino dell'Aurora di villa Ludovisi. 1596 - 1621 Cardinale Francesco Maria Bourbon del Monte Santa Maria Proprietario del Casino nella vigna, incarica il Caravaggio della decorazione ad affresco.

Del Monte sold the Villa Ludovisi and its extensive grounds to Cardinal Ludovico Ludovisi in 1621. Due to the Ludovisi's family financial duress, the whole park was sold off in the 1880s and built up with hotels and expensive houses, including palazzi for members of the family. The facade of the main casino or Casino Grande (a separate building) is now hidden behind the 19th-century Palazzo Margherita. This building was acquired by the Italian State and became the residence of Queen Mother Margherita. It now houses the U.S. embassy.

The only part not sold was the Villa Aurora, which remains in the possession of the Ludovisi family, encircled by high walls and open to the public on written request. Apart from the works by Caravaggio and Guercino, it contains important works of art by Pomarancio, Michelangelo, and a collection of Roman and Greek artefacts.[1]


  1. ^'Villa Aurora, Rome's best kept secret?'. Minor Sights. Retrieved 20 November 2016.

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Coordinates: 41°54′27″N12°29′15″E / 41.9074°N 12.4875°E

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The Villa Ludovisi was a suburban villa in Rome, built in the 17th century on the area once occupied by the Gardens of Sallust (Horti Sallustiani) near the Porta Salaria.[1] On an assemblage of vineyards purchased from Giovanni Antonio Orsini, Cardinal Francesco Maria Del Monte and others, Cardinal Ludovico Ludovisi erected in the 1620s the main villa building to designs by Domenichino; it was completed within thirty months, in part to house his collection of Roman antiquities,[2] additions to which were unearthed during construction at the site, which had figured among the great patrician pleasure grounds of Roman times. Modern works, most famously Gian Lorenzo Bernini's Pluto and Persephone, were also represented. The engraving of the grounds by Giovanni Battista Falda (1683)[3] shows a short access avenue from a tree-lined exedra in via di Porta Pinciana and cypress-lined avenues centered on each of the facades of the main villa, laid out through open fields, the main approaches to both the villa and the Casino dell'Aurora[4] converging on gates in the Aurelian Walls, which formed the northern bounds of the park; symmetrical parterres of conventional form including bosquets peopled with statuary[5] flanked the main avenue of the Casina, and there was an isolated sunken parterre, though these features were not integrated in a unified overall plan.[6] The overgrown avenues contrasting with the dramatic Roman walls inspired Stendhal to declare in 1828 that the Villa Ludovisi's gardens were among the most beautiful in the world.[7]

Frescoes in the villa were carried out by Domenichino, Guercino, Giovambattista Viola, and others. A casina was added, largely to house the Cardinal's growing collection of Roman sculptures and inscriptions, which Alessandro Algardi treated to sometimes extensive restoration.

The villa passed to the ownership of the BoncompagniLudovisi family, which in 1872 rented it to King Victor Emmanuel II. The King used the villa as residence for his lover, Rosa Vercellana.[8]

İn 1885, despite great protests among the intellectuals, its last owner, Don Rodolfo Boncompagni Ludovisi, the Prince of Piombino, faced serious financial troubles and decided to sell the property to the Società Generale Immobiliare. The Villa was divided into building lots.[9] The sculptures[10] were dispersed, and most of the buildings destroyed, the only one to remain being the Casino dell'Aurora.[11]

The Via Veneto was driven through the former grounds, part of which are occupied by the American Embassy in Palazzo Margherita, and the Rione Ludovisi took shape, borrowing its district name from the cardinal and his villa.

  • The gardens of the Villa and the Aurelian Walls in the early 1880s, in a painting of Ettore Roesler Franz

  • The Villa gardens, by Luise Begas-Parmentier

  • Fashionable Via Veneto was driven through the heart of Villa Ludovisi's park

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  1. ^A. Schiavo, Villa Ludovisi e Palazzo Margherita, Rome 1981; I. Belli Barsale, Ville di Roma, Milan 1970, vol. III.1; D.R. Coffin, Gardens and Gardening in Papal Rome, Princeton 1991;
  2. ^Inventories of Villa Ludovisi have been partly published: paintings inventory of 1623 (C.H. Wood, 'The Ludovisi Collection of Paintings in 1623' The Burlington Magazine, 1992) and of 1633 (K. Garas, 'The Ludovisi Collection of Pictures in 1633' The Burlington Magazine, pt. I, ; pt. II, 1967).
  3. ^The engraving is illustrated in Eva-Bettina Krems, 'Die 'magnifica modestia' der Ludovisi auf dem Monte Pincio in Rom.' Marburger Jahrbuch für Kunstwissenschaft29 (2002:105-163) p. 107, fig. 2.
  4. ^Named for Guercino's ceiling fresco of Aurora
  5. ^M.P. fritz, 'Der statuenhain in den Gärten der Villa Ludovisi', Daidalos65 (1997:42-51).
  6. ^The name of the French garden designer André Le Nôtre became optimistically associated with Villa Ludovisi in the 19th century (as in Th. Schreiber, Die antiken Bildwerke der Villa Ludovisi, Rome 1880, p. 5).
  7. ^Stendhal, Promenades dans Rome (18 April 1828), in Voyages en Italie.
  8. ^Her temporary absence permitted Henry James to inspect the villa and its grounds and indulge in some snobbish daydreams: on-line text.
  9. ^The Boncompagni Ludovisi financial crisis of 1893-96 is analysed in S. Palermo, Terra, città, finanza. I Boncompagni Ludovisi di Roma (1841-1896), 2008.
  10. ^The sculptures had been described by Th. Schreiber, Die antiken Bildwerke der Villa Ludovisi, Rome 1880.
  11. ^'Villa Aurora, Rome's best kept secret?'. Minor Sights. Retrieved 20 November 2016.

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